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4 articles
Some historic houses do not close their doors for a wedding morning. Visitors are still walking the galleries, volunteers are still on duty and the rope lines are still in place. Here is how to work with the public rather than pretending they have vanished.
A November-to-February wedding in a historic house is a race against a very early sunset. Here is how to build a timeline that gives you portraits, speeches and a calm day, even when dusk arrives before the pudding.
Most wedding galleries are generous with the bride and strangely stingy with the groom — a few line-up shots and a wall. Here's the case for giving him the window light too, plus practical notes on grey suits, cold stone and the forty minutes it actually takes.
Ruined castles promise drama, history and light that behaves like a spotlight operator with a sense of humour. Here is what we have learned about photographing weddings among broken walls — and what couples should ask before booking one.